P# 212d - Series: A7505 - A8309 (Stamp A)
Information:
| Rarity | A - Very Common |
| Date | Variety | Iss. | VG | F | VF | XF | AU | UNC |
|---|---|---|---|---|---|---|---|---|
| ND (1988) | P# 212d - Series: A7505 - A8309 (Stamp A) | + | - | $1,10 | $1,10 | $1,10 | $1,10 | $1,20 |
| Reference | AINotes#C192CláudioPatrickAmato, |
| Country | Brazil |
| Period | Cruzado (1986-1989) |
| Issuing bank | Central Bank of Brazil |
| Currency | Cruzados |
| Denomination | 500 Cruzados |
| Type | Circulation banknotes |
| Year | 1986-1988 |
| Shape | Rectangular |
| Composition | Paper |
| Demonetized | Yes on 15.01.1989 |
| Size (WxH) | 154x74 mm |
Obverse:
|
Latin
Obverse textBANCO CENTRAL DO BRASIL 500
CONSIDERO MINHAS OBRAS COMO CARTAS QUE ESCREVI À POSTERIDADE SEM ESPERAR RESPOSTA
PRESIDENTE DO
CONSELHO MONETÁRIO NACIONAL
PRESIDENTE DO
BANCO CENTRAL DO BRASIL
CASA DA MOEDA DO BRASIL
DEUS SEJA LOUVADO
VILLA LOBOS
500
QUINHENTOS
CRUZADOS
CASA DA MOEDA DO BRASIL
Obverse symbolPortrait of Heitor Villa-Lobos (1887-1959) on a piano keyboard, with the left representing a Victoria amazonica in bloom. In the background an excerpt from the score of the work "Uirapuru". The set of images is flanked by the phrase "Considero minhas obras como cartas que escrevi à posteridade sem esperar resposta" (I consider my works as letters that I wrote to posterity without waiting for a response), given by the maestro, repeatedly written in two overlapping lines, each for a line on each side.
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Reverse:
|
Latin
Reverse textCONSIDERO MINHAS OBRAS COMO CARTAS QUE ESCREVI À POSTERIDADE SEM ESPERAR RESPOSTA
500
500 QUINHENTOS CRUZADOS
Reverse symbolIn the background, an engraving based on the work of Johann Moritz Rugendas, representing a primitive Brazilian forest on the bank of a river, where a canoe appears carrying people.
The set of images is flanked by the phrase "Considero minhas obras como cartas que escrevi à posteridade sem esperar resposta" ("I consider my works as letters that I wrote to posterity without waiting for a response"), given by the conductor, repeatedly written in two overlapping lines, each for a line on each side.
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Varieties:
| Date | Variety | Iss. | Value | ||||||
|---|---|---|---|---|---|---|---|---|---|
| VG | F | VF | XF | AU | UNC | ||||
| ND (1986) | P# 212a - Series: A0001 - A2352 (Stamp A) | 235.2m | $0,70 | $0,92 | $1,00 | $2,00 | $2,00 | $2,00 | |
| ND (1986) | P# 212s - Specimen (MODELO) | + | - | - | - | - | - | - | |
| ND (1987) | P# 212b - Series: A2353 - A2842 (Stamp A) | 49m | - | - | $0,92 | - | - | $1,70 | |
| ND (1987) | P# 212c - Series: A2843 - A7504 (Stamp A) | 466.2m | $0,37 | $0,43 | $0,51 | $0,62 | $1,00 | $1,10 | |
| ND (1988) | P# 212d - Series: A7505 - A8309 (Stamp A) | 80.5m | - | $1,10 | $1,10 | $1,10 | $1,10 | $1,20 | |